Cinematic Video Builder

Film-grade shots: lens, light, grade and camera movement · 32 fields · 5 outputs

Library

Filled only

Subject Type

Action

Emotion

Wardrobe and Look

Story Beat

Environment

Time of Day

Weather

Era or Period

Set Detail

Atmosphere

Camera Movement

Camera Angle

Shot Size

Lens

Movement Speed

Lighting Setup

Key Direction

Colour Temperature

Shadow Quality

Visual Style

Colour Grade

Film Stock and Texture

Contrast

Aspect Ratio

Mood

Sequence Type

Transition Style

Continuity Lock

Target Model

Negative Prompt

Style Modifiers

🔒 Preview mode
Try every field. Unlock Cinematic Video with Pro to copy and save the prompts.

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Rewrite the main prompt into 3 polished variations. Pro feature.

01Master Shot Prompt

Cinematic shot of a Lone figure Walking slowly forward. The mood on their face reads Quiet contemplation and they are dressed in Everyday contemporary clothing. Story beat: Establishing the world. Location: Empty city street at Golden hour with Clear and still. Period: Present day Set is Sparse and uncluttered and the air carries Clean air. Camera: Slow dolly in from Eye level framed as a 50mm standard Medium shot moving Slow and deliberate. Lighting: Natural available light keyed Side light from camera left in Warm tungsten producing Soft graduated shadows. Look: Naturalistic realism graded Teal and orange on Clean digital with Balanced natural contrast. Framed 2.39:1 anamorphic widescreen with an overall mood of Melancholic and still. Rendered for Any current text to video model. Style: Shot on film cinematic quality. Avoid: No warping faces or hands

02Shot List

SHOT LIST - Six shot scene Scene: Lone figure Walking slowly forward in Empty city street at Golden hour 1. ESTABLISH - extreme wide of Empty city street holding on Clean air to set the scale 2. INTRODUCE - wide on the subject, Slow dolly in revealing Everyday contemporary clothing 3. ENGAGE - Medium shot from Eye level as the subject is Walking slowly forward 4. INTERIOR - close up carrying Quiet contemplation lit by Natural available light 5. DETAIL - insert on a set element, Sparse and uncluttered shot on the 50mm standard 6. RESOLVE - return wide, camera Slow and deliberate to close the beat of Establishing the world Cut between shots using Straight cut Generate each shot separately and assemble in the edit. One camera move per clip.

03Lighting and Lens Plan

Key light: Natural available light Key direction: Side light from camera left Colour temperature: Warm tungsten Shadow rendering: Soft graduated shadows Motivated by the Golden hour and by Sparse and uncluttered Atmosphere carrying the light: Clean air Lens: 50mm standard at Medium shot from Eye level Movement: Slow dolly in paced Slow and deliberate Contrast target: Balanced natural contrast Keep the key direction identical across every shot in the scene or the cut will not match.

04Continuity Lock Sheet

Lock rule: Lock subject wardrobe and grade Must stay identical in every shot: - Subject: Lone figure wearing Everyday contemporary clothing - Location: Empty city street dressed with Sparse and uncluttered - Time and weather: Golden hour with Clear and still - Light: Natural available light keyed Side light from camera left at Warm tungsten - Grade: Teal and orange on Clean digital - Frame: 2.39:1 anamorphic widescreen Paste this block into every shot prompt without changing a word. Drift in any one line is what breaks a sequence.

05Grade and Finish Brief

Reference style: Naturalistic realism Grade: Teal and orange Texture and stock: Clean digital Contrast curve: Balanced natural contrast Delivery ratio: 2.39:1 anamorphic widescreen Emotional target: Melancholic and still Skin tones stay natural under Warm tungsten - grade the background first, protect the face. Match every clip to shot one before adding Clean digital so the texture sits on top of a matched image. Check the final second of each clip for drift, which is where Any current text to video model fails first.

📘 Pro Guide

Key facts

One move per clipGive each generated clip a single camera movement, then cut them together.Two moves in one prompt is the most common cause of incoherent output.
The final secondCheck the last second of every clip before you use it.Drift, morphing and warping almost always appear at the end of a generation.
Continuity is a paste jobCopy the lock block into every shot prompt without editing a word.Rewording the same description produces a visibly different scene.
Lens changes the storyA 24mm makes a space feel large and lonely, a 85mm compresses and isolates.Focal length carries meaning, not just framing.
Key direction must matchKeep the light coming from the same side across a scene.Flipped key direction between shots reads as a continuity error to any viewer.
Motivate every lightName the source in frame - a window, a lamp, a fire, a screen.Unmotivated light looks synthetic even when it is beautiful.
Golden hour is shortGolden hour, blue hour and dusk are three different looks, not one.Mixing them across a scene destroys the sense of a single moment.
Grade the background firstProtect skin tones and grade everything around them.Aggressive grades turn faces green or magenta before anything else.
Grain sits on topMatch all clips to shot one, then add texture last.Adding grain before matching bakes in a mismatch you cannot remove.
Shot size progressionMove wide to close as a scene develops, and earn the close up.Cutting straight to a close up wastes the only card that carries emotion.
Match cut on shapeCut between two shots sharing a dominant shape or movement.It is the cheapest transition that looks deliberate rather than lazy.
Handheld means somethingHandheld reads as urgency or subjectivity, locked off reads as control.Camera stability is a story choice, not a technical default.
Aspect ratio commits you2.39:1 is scope, 4:3 is intimate and boxed, 9:16 is social only.Changing ratio mid sequence looks like an error, not a style.
Negative prompts earn their placeName the specific failure you keep seeing, not a generic quality list.Vague negatives do almost nothing, specific ones fix a real problem.
Image to video winsStart from a still you already like whenever the model supports it.You control composition and subject before motion is ever introduced.
Faces are the weak pointKeep faces further from camera when the model struggles with them.Extreme close ups expose model weakness faster than any other shot.
Weather is atmosphereRain, fog and dust give the light something to travel through.Clean air produces flat images no matter how good the lighting is.
Period detail breaks fastName the era and add a negative against modern items.Models leak contemporary objects into period scenes constantly.
Silence has a soundPlan the audio bed alongside the picture, even if you add it in the edit.A cinematic image with wrong or absent sound stops feeling cinematic.
Generate more than you needProduce three versions of each shot and choose in the edit.Selection is cheaper than trying to prompt a perfect single take.

Ready-to-paste examples

Neon City NightCinematic shot of a lone figure walking slowly forward through a neon lit alley at deep night with light drizzle. Camera slow dolly in at eye level, 35mm, moving slow and deliberate. Neon colour wash keyed three quarter back left, magenta cast, hard edged shadows. Neo noir with neon, graded magenta and cyan on 35mm film grain, 2.39:1. Avoid warping faces or hands.Lone figure
Golden FieldCinematic shot of a lone figure standing perfectly still in an open wheat field at golden hour with strong wind. Camera drone pull away reveal from high angle, 24mm, decelerating to a stop. Natural available light keyed three quarter back right, golden sunset warmth, long raking shadows. Epic wide scale graded golden honey warmth on 65mm large format, 2.39:1.Lone figure
Kitchen IntimateCinematic shot of two people in dialogue in a quiet domestic kitchen in mid morning, overcast and flat. Locked off static frame at eye level, 50mm medium shot. Window light from the side keyed camera left, cool daylight, soft graduated shadows. Naturalistic realism graded earthy natural browns on fine grain emulsion, 1.85:1.Two people in dialogue
Rain ConfrontationCinematic shot of two people in dialogue on an empty city street at deep night in heavy rain. Handheld reactive shake at eye level, 35mm medium close up, brisk and urgent. Motivated street light keyed three quarter front right, amber sodium, deep crushed blacks. Gritty urban realism graded desaturated muted tones on 16mm coarse grain, 2.39:1.Two people in dialogue
Forest DawnCinematic shot of a lone figure walking slowly forward through a dense pine forest at pre dawn darkness with low ground mist. Steadicam walk with subject from behind, 35mm full body, slow and deliberate. Soft diffused key from above, cold blue moonlight, dappled broken light. Nordic minimal graded cool blue monochrome on 35mm grain with halation, 2.39:1.Lone figure
Warehouse TensionCinematic shot of a small group standing perfectly still in an industrial warehouse under artificial light only. Camera orbit around the subject at low angle looking up, 24mm wide, moderate and controlled. Top down overhead light, green fluorescent cast, pooled darkness with light islands. Sci fi clinical graded bleach bypass silver, high contrast with deep blacks, 2.39:1.Small group
Desert WesternCinematic shot of a rider on horseback riding through the frame across open desert at high noon with dust and haze. Lateral tracking right at low angle, 85mm, steady walking pace. Hard direct key from above, neutral balanced white, hard edged shadows. Spaghetti western graded sun faded washed out on 35mm grain with gate weave, 2.39:1.Rider on horseback
Library RevealCinematic shot of a lone figure reading something in hand in a grand old library in late afternoon. Crane rise revealing the scene from eye level to high angle, 35mm, slow and deliberate. Practical lamps as the only source keyed camera right, warm tungsten, soft graduated shadows. Period drama classicism graded warm amber wash on fine grain, 1.85:1.Lone figure
Rooftop DepartureCinematic shot of a lone figure walking away from the camera on a rooftop above the skyline at blue hour with strong wind. Slow dolly out at eye level, 50mm wide, barely perceptible drift. Strong backlight silhouette, cyan and orange split, silhouette with no detail. Intimate handheld drama graded teal and orange on 35mm grain, 2.39:1.Lone figure
Vertical SocialCinematic shot of a lone figure walking slowly forward through a crowded market in mid morning, clear and still. Handheld follow behind at hip level, 24mm medium shot, brisk and urgent. Natural available light, neutral balanced white, lifted open shadows. Documentary observational graded rich saturated colour, clean digital, 9:16 vertical for social.Lone figure